梦想应该是每个人前行路上的指南针,虽然现实的压力往往让你与你最初的梦想渐行渐远,但无论如何请不要放弃,因为对于你个人而言,追逐梦想是最幸福的事!
Dreams could be the compass along the way, although the pressure of the reality always drives you far away from your original dreams, however, do not give up, because chasing after a dream is the biggest happiness in life.
知名设计师冯三三携新书《我不是大师——当代时装效果图》做客哈尔滨时装周【对话】栏目与我们分享他的追梦旅程。
Famous designer Feng Sansan joined in 【DIALOGUE】 Column of Harbin Fashion Week with his new book “I am not a master - contemporary fashion drawings” to share his journey of chasing after a fashion dream.

(冯三三将于本月29日以访谈嘉宾身份参加哈尔滨时装周的微访谈互动活动,敬请关注!)
(Feng Sansan will communicate with fans of Harbin Fashion Week on WeChat on the 29th, Sep.)
H(哈尔滨时装周):作为一位参加过许多大赛并且获奖众多的设计师,您并没有像其他设计师一样建立自己的品牌,而是选择了多元的发展路线,您是怎样定位您现在的身份呢?
H (Harbin Fashion Week): As a designer, who has achieved a lot in many competitions, you choose a various development route, rather than establishing own brand, how do you define your current identity?
冯三三:我现在的身份是自由设计师,我也想过要成立自己的品牌,但是还没有那么快,需要一步一步的来进行。我是属于那种给自己定好目标,就算失败也要笑着走完的那种人,所以这些年我用不同的工作经历、参赛经历来谱写我的人生阅历。当然,我的下一个目标是继续出我的书,做我的设计,每个人的发展方向不同,自然就目标不同,我已经实现了多年的梦想,靠的是坚持;下一个梦想,我会更加努力。
Feng: I am now a free designer. I also thought of owning my brand, in order to reach that goal, I have enriched myself by accumulating many working and participating experience. My next goal is to continue publishing my books and making designs.
H:您进入服装设计这个行业的启蒙阶段是怎样度过的?
H: How did you spend the enlightenment stage of fashion design?
冯三三:我读大一的时候就开始入围全国知名服装设计大赛,大二开始获奖,说起来时间并不长,启蒙阶段就是这样飞速的度过了,在此要特别感谢我的恩师喻纪文老师,因为老师全心的教导,才能让我成长的如此迅速,也是那个时候开始,学会了很多做人的道理,从此,也算是正式开始了我的设计生涯。
Feng: In the first year of college I was selected as one of the finalists of national famous fashion design contest, while in the second year I started winning awards. Hereby I would like to express my special thanks to my teacher Yu Jiwen for his hard working.
H:您目前的发展路线与您最初的规划是否有偏离?
H: Is your current development route far away from your original plan?
冯三三:没有偏离,都是在我的计划之中进行的,我一直都在做着自己喜欢的事,并不断的积累经验和人生阅历。我是一个比较向往自由的人,不喜欢受拘束,所以前后换过差不多10几份工作,最后还是选择了“自由设计师”这个职业,这样既能完成我的梦想,又可以拥有属于自己的生活方式。
Feng: Actually, no. In the past I have changed almost ten jobs, finally I chose to be a free designer, just because I could fulfill my dreams and live my own life without being controlled.
H:迄今为止,您最满意的作品是哪一个/系列?能简单介绍下创作过程吗?
H: Up till now which one/series is your most satisfying work? Could you please introduce about your creation process?
冯三三:目前比较满意的作品是《梦开始的地方》,其实这也是一种执着和坚持;梦,闪烁着耀眼的光芒,那么缥缈,却又那么真实,只要伸出手,就可以抓住它;但只要不小心,它又会从指间溜走,所以,它只能是梦,真实又缥缈,只有不计较得失,用最本真的态度去诠释设计,它才能有灵魂,才能充满生命力。《梦开始的地方》是我历时5年时间第三次入围“虎门杯”国际青年设计(女装)大赛,第一次以第七名的成绩与奖项失之交臂(前6名选手为金、银、铜获奖者);第二次因为评委断定效果图和成衣有偏差,所以0分收场,虽然委屈,但是依然要遵守游戏规则,只能接受;所以第三次我以作品《梦开始的地方》继续入围,就是这份信念,让我一直坚持,我坚持的不是为了获得奖项,而是心中那一点点委屈和不甘心,所以坚持。
Feng: So far I prefer “A place where dreams begin” , which allowed me to be shortlisted in the 15th Humen Cup International Youth Design Contest (Women’s Wear) as my third time during five years. For the first time, I missed the awards as the 7th place (top six were golden, silver and bronze winners). For the second time, unfortunately, I got zero point because judges concluded that there was a deviation between my fashion drawings and ready-made garment. So for the third time, I insisted on participating in the contest not for awards but for my unwilling heart.
《梦开始的地方》灵感来源于杏花飘零的瞬间,将雪样浪漫的情景在服装中充分表现,将纯天然的纯棉织物以及丹宁面料进行分解重组,并将立体构成原理应用其中,采用牛仔水洗、打磨、抽丝、拉毛等形式进行面料的二次改造,使服装营造出另一种视觉冲击和艺术价值。
The inspiration of “A place where dreams begin” came from the falling scene of apricot flowers. After deconstructing pure cotton fabric and denim, another visual impact and artistic value of fashion were created by second transformation of materials.
H:我们知道今年年初您出了一本书,书名是《我不是大师——当代时装效果图》,是在怎样的情况下促使您想出版这样一本书的呢?
H: As we know, you published a book named “I am not a master - contemporary fashion drawings”, in what kind of circumstances do you have the desire to publish a book like this?
冯三三:这个是我大一开始就给自己定下的目标,所以我用了10年时间进行积累,通过不断的参加服装设计大赛、不断的换不同工作经历,这样让自己更直接的接触到不一样的环境、不一样的设计种类。我曾做过:男装、女装、童装、运动装、泳装、皮草、高级定制、影视服装等,正是这些宝贵的工作经验和参赛经历,才能让我对这本书产生感情,才能用3年的时间全身心去创作,最终这本书受到了国内服装设计高校师生的一致好评。这是一本很“接地气”的书,因为它是国内目前最为流行和最为时尚的时装画专业书籍,书中摒弃了陈旧的设计手法和绘画风格,融入了国内外距今为止最为新颖的时装画绘制方法和近年各大服装设计大赛获奖作品,所以,她迎合了大多数读者的心理,这也是我一直坚持到现在的一个最重要的理由,我做到了。
Feng: This is a goal which I made when I was in the first year of college, after ten years’ accumulation of working and participating experience in menswear, womenswear, children’s clothing, sportswear, swimwear, fur, haute couture and TV and movies costumes I spent three years to create this book, which has been highly praised by the students and teachers of fashion design college. It is a collection of the most popular and stylish fashion drawings and fresh performance techniques of recent fashion design contests throughout the world.

H:您觉得《我不是大师》这本书对正在学服装设计的学生有怎样的帮助?
H: What kind of guidance will the book “I am not a master” give to the students who are studying fashion design?
冯三三:《我不是大师——当代时装效果图》能让学生更加直接并直观的了解当代时装效果图的风格和画法,并且脱离了过时、老套的设计手法和绘画方法,让学生直接感受到服装设计的发展和对时装效果图的时代感和创新性的表达方式。能够直接引导他们入门、参赛、作品参考、作业借鉴等一系列需求。
如果你想更多的了解冯三三,并跟冯三三实时互动,快来参与9月29日哈尔滨时装周的【HA! Fashion Talk】微访谈活动吧!
Feng: The book “I am not a master - contemporary fashion drawings” helps the students to get a more directly visual understanding of
style and techniques of contemporary fashion drawings, and meet the needs of access, participation in contest, reference and etc.
If you want to know more about Feng Sansan and interact with him, please come and join 【HA! Fashion Talk】 of Harbin Fashion Week on the 29th, Sep!